Brian Roberts, Ph.D. Rutgers,
1995, NEH Fellow 1998; Woodrow Wilson / Charlotte Newcombe Fellow, 1994.
Recent Publications
American Alchemy: The California Gold Rush and Middle
Class Culture (Chapel Hill: University of North Carolina Press, 2000)
The Minstrel Perception: Popular Music and American
Identity, 1800-1920, in- progress book, currently under contract with University of
North Carolina Press.
"Popular Music," and "The California Gold Rush
and American Boyhood," in Clement and Renier, eds., Boyhood in America
(Denver, 2001).
"The Greatest and Most Perverted Paradise: The Forty
Niners in Latin America," in Ken Owens, ed., The California Gold Rush: A
Sesquicentennial Reexamination (Lincoln: University of Nebraska Press, 2000)
Research Projects/Interests
Fall 2000: Research on the effects of minstrelsy on perceptions
of slavery and free African Americans; submission of article, "The Devil Has
Been In Possession of the Good Tunes Long Enough: Popular Music and Social Reform in
the Antebellum America," to Proceedings of the American Antiquarian Society.
Spring 2001: completion of chapter draft: "The Minstrel
Perception: The Framing of African Americans through the Imagery of Popular Music,
1830-1870."
Fall 2000: Research at CSUS and the CSL on Native American music and
Pan-Indianism; completion of chapter drafts, "Turning Minstrelsy Around: African
American Uses of Blackface Imagery in the Creation of Black Nationalism," and
"Putting-On the Great Father: Native Americans, Redface Minstrelsy, and the Rise of a
Pan-Indian Movement, 1880-1930.". |